Tuesday, August 15, 2017

The Hidden Rides and Themed Attractions of...New Mexico

New Mexico celebrated statehood back in the year of 1912, making it only slightly older than the wreck of the Titanic. The land hadn't become part of the nation until after the Mexican American War and Gadsen Purchase in the mid 1800s, and it has taken it's sweet time to populate. With just over 2 million people, the entire state has fewer residents than the city of Houston, Texas. Nearly half of these people live in Albuquerque's Metro area, with the next largest chunk living near the Mexican/Texas border creating the El Paso-Las Cruces Combined Statistical area. It is in these two specific locations that we unsurprisingly find the state's largest attractions.



Cliff's Amusement Park is probably the most well known to coaster enthusiasts - located in Albuquerque proper, it is a compact and landlocked park surrounded by commercial real estate. One of Custom Coasters' later wood rides, The New Mexico Rattler, serves as the premier attraction. Interestingly, it is actually Western Playland in the Las Cruces/El Paso suburb of Sunland Park that contains the highest number of coasters and acreage in the state. The park actually moved to its current location in 2006 when it was lured over the border from Texas by the Sunland Park Racetrack and Casino, taking most of its largest rides with it. Outside of the collected production model coasters (El Bandito, a extra large Z64 Zyclon being the rarest), the park contains Larson Flying Scooters, a skyride, and several other attractions.



Interestingly, while many people associate New Mexico with "desert", there is very little in terms of water parks there. Cliff's has a few slides, and the City of Carlsbad has a municipal aquatics facility that opened in 2016. However, that's about it. Surprising, I know. "Dry slides" are about as common - Red River Ski Area has summer tubing runs to go with its multi-person and single person ziplines.



Trains and carousels operate in smaller parks, just as they do elsewhere in the nation. Spring River Park and Zoo in Roswell features both along with a collection of animal exhibits. Meanwhile, the Toy Train Depot in Alamogordo has a couple of different narrow gauge tracks that humans can ride as part of their overall exhibition.



The state has some living museums as well, providing people with a glimpse into history. Both the Aztec Museum and Pioneer Village and Sacramento Mountain Museum & Pioneer Village go into the past and pull out costumes and buildings to try and bring back that homesteader feel.



Finally, there's the Meow Wolf Collaborative piece known as the House of Eternal Return. Its part art installation, part fun house, all original, and a Themed Entertainment Award winner attraction. Only City Museum in St. Louis is comparable.

Bill & Ted Excellent Halloween Adventure To Bow After HHN 27

Copyright Universal Orlando Resort
Bill and Ted's Excellent Halloween Adventure will end after this year's Halloween Horror Nights. Per the Universal Orlando Blog this will be their "Farewell Tour".

No reason was given for ending the show but consistent rumors of a replacement for Fear Factor Live, the stage used for the show, have swirled around. Additionally the contract to use the characters (remember: Universal doesn't won them) expires after a five year renewal signed in 2013.

We will be sharing more information and our review of the show in the coming months.

Thursday, August 10, 2017

Parkscope Unprofessional Podcast Hour #132 - Hooray for Hollywood


Join Joe and David Daut (Twitter) as they talk about their evolved views on studios parks, The Star Wars Hotel/Experience, role playing in parks, immersive theater experiences, and if/how theme parks should be archived once changed or removed.

As discussed in the show:

Email us at parkscopeblog at gmail dot com or follow us at ParkscopeParkscopeJoeParkscopeNick,  ParkscopeLane, and Sean.

Thursday, August 3, 2017

Parkscope Unprofessional Podcast Hour #131 - SWEEPSTAKES


Joe and Lane talk about ALL THE HALLOWEEN HORROR NIGHTS 27 NEWS. Or not really. Our bad. We talk about local parks additions with Cedar Fair, Six Flags Fiesta Texas' Wonder Woman Golden Lasso, and some Busch rumors. Then we talk about some Star Wars VR, more Harry Potter construction news, and then your questions! SWEEPSTAKES!

Email us at parkscopeblog at gmail dot com or follow us at ParkscopeParkscopeJoeParkscopeNick,  ParkscopeLane, and Sean.

Wednesday, August 2, 2017

Project 942 Permits (Dragon Challenge Replacement)

Here's something we haven't talked about in a very long time: building permits!

Permits are our look into upcoming work at Universal Orlando Resort. Today we're looking at Project 942, a new project number we have yet to see. We believe P942 is for the Dragon Challenge replacement.

So far the permits call for demolition and moving stormwater ponds.

Thanks to TheNJBrandon for digging these up!










Tuesday, August 1, 2017

The Making of Disney-MGM Studios: Parkscope YouTube Tuesday #7


Jeff

Disney-MGM Studios is probably the oddest duck in the Disney Parks empire. It was created in fire, through a particularly horrible mud-wrestling contest between Michael Eisner and Lew Wasserman, and never really reached even a fraction of its potential. It’s actually astounding that it garnered a higher attendance than Animal Kingdom until 2006, despite having no main differentiators like the pull of the real-life animal enclosures. It set the stage for decades to come as being a Michael Eisner park through and through, with budget cuts and confusing future . I think the most astonishing thing about this “making of” special is the fact they were able to fill 53 minutes worth of content!

All the official Disney propaganda would have you believe that Disney-MGM Studios was created when Michael Eisner and Frank Wells took a trip through the Glendale Imagineering HQ and thought that the “Great Movie Ride” would make a great central attraction for a theme park themed to Hollywood and the movies, rather than what it was originally destined to be, which was an EPCOT Center pavilion next to Imagination. The Disney executives then all held hands, cavorted through flower beds, and sang good Christian songs as the innocent Hollywood park was built. By most accounts, the creation of Disney-MGM Studios was much more insidious.

As witnesses have attested, Lew Wasserman (then head at Universal) was shopping around the idea of creating a Universal Studios in Florida to bask in the success of Walt Disney World, which opened in 1971. Throughout the 1970s and 1980s, Lew was passionate about the idea of turning Orlando into Hollywood East, and a Universal Studios would help this image by offering movie and TV studios lower taxes, lower costs on materials and housing, lower wages, and the opportunity to avoid the Hollywood unions. As Lew would envision it, Universal Studios Florida would have a Disney-style theme park along with a working soundstage and backlot area, where real movies, TV shows, and commercials would be filmed. The problem was, Lew was also a notorious cheapskate. Even though he was passionate about the project, he refused to have Universal pay more than half the cost of the new park. So, he visited the executives of other movie studios to pitch them on the idea of investing in the new park (for real, think of the umpteen-millions of dollars Universal lost by not building the Florida park a decade earlier than it did!)

One of the executive teams he visited was the Paramount team. This team consisted of studio head Barry Diller, along with…Michael Eisner and Jeffrey Katzenberg, who were major studio executives at Paramount at the time. Paramount ultimately turned Universal down on the prospect of investing in the park.

Eisner and Katzenberg would migrate to Disney in 1984 (after Wasserman told Eisner over the phone that he was “stupid” to go to Disney). And, lo and behold, a year after their terms began, Eisner and Katzenberg came up with a crazy new idea for a Disney Studios theme park, with rides and a working soundstage/backlot area! Amazing!

Wasserman of course was furious. Disney denied the allegations from Wasserman that Disney stole Universal’s idea, and instead concocted the Great Movie Ride story. So began an arms race to build the first studio park in Florida.

Unfortunately, both companies had problems. Wasserman still didn’t want to pay for the entire Universal Studios project. And Disney, well…didn’t have any movies to make any rides out of.

Strange but true, folks (channeling me some Jim Hill there). Remember, in the mid-1980s when the Disney Studios project was announced, Disney’s major hits were almost all animated movies. Besides these, Disney’s only movies that could be considered major hits were Mary Poppins, 20,000 Leagues Under the Sea, Swiss Family Robinson, The Absent-Minded Professor, and The Love Bug. Hardly the material for an entire theme park’s worth of attractions. So Disney had to spend time to find a deal with another movie studio to gain the rights to their material.

Eventually, Disney was able to strike a deal with MGM, makers of all-time classics like Singin’ in the Rain, Gone With the Wind, and The Wizard of Oz. They announced that not only would the Disney-MGM Studios be moving forward, but that there would be multiple Disney-MGM Studios, specifically in France and in Burbank. Michael Eisner loved the idea of a “movie park” so much that he wanted it duplicated in as many places as possible.

Eisner’s aggressive tactics to target the Disney-MGM Studios Burbank project in Universal Studios Hollywood’s backyard enraged Wasserman to the point where he dropped his own stingy demeanor (seriously, this would be like Walt Disney’s moustache spontaneously falling off) and decided to go ahead with Universal Studios Florida, with Universal paying 100%. Both companies were determined to open their park first.

Unfortunately for Universal, Disney’s far greater experience in the theme park arena ensured that their park would open first. But it was not without paying the price. To hurry along construction, only two rides at Disney-MGM Studios were ready for opening day (the Great Movie Ride and the Backlot Tour). The Indiana Jones stunt show was not ready for opening day and had to open several months late. All other attractions were show or tour-based attractions, much cheaper and easier to install.

This lack of things to do did not go unnoticed. Guests swarmed Guest Relations with complaints as to how small the park was and the fact that they had to pay full admission for a half-day park (sound familiar? Disney really doesn’t learn its lessons does it?). Remember, this was before Star Tours, so the entire park terminated at Mickey Avenue (where Voyage of the Little Mermaid is now) for the Backlot Tour, and there was no Star Tours or MuppetVision on the other side. And no Sunset Boulevard. And New York Street was a closed set and available only on the tram portion of the Backlot Tour. That, my friends, is a tiny park. And why I’m continually impressed how Disney was able to fit 53 minutes of material into the making of the park, especially when the opening-day attraction lineup could barely deliver more than 53 minutes of entertainment! Wakka Wakka!

Joe


In the Orlando studio park war Universal Studios Florida won.


Bu that's not today's story. No, as Jeff said, this story is about Disney-MGM Studios.


The concept art always looked too crisp, too precise, too... 80s.

Disney-MGM Studios has been a a park at war with its own success and ambitions. A park born in the fire of Michael Eisner and died under his own cooling power; the park was on the brink of a major power play with The Muppets, Maroon Studios, Dick Tracey, and more before Eisner's own decisions brought all those plans down to the ground.

This special highlights the beginnings of this vision hosted by one Fred Newman. While he might not be a household name he did work with Who Framed Rodger Rabbit. But he's probably best know by us millennials for a later show he did..



Sorry I had to get that out there.


--Jeff (@ParkScopeJeff) & Joe (@ParksopeJoe)