Showing posts with label Tony Baxter. Show all posts
Showing posts with label Tony Baxter. Show all posts

Friday, August 30, 2019

Parkscope YouTube Saturday 8/31 Premieres

by @ParkScopeJeff

Parkscope YouTube is back! This week, we have FOURTEEN Travel Channel specials awaiting release, and we're going to do something a little different. Every night, for seven nights starting Sunday 8/25, we will be Premiering our videos on YouTube at 8 pm and 9 pm, Eastern Time! Join us as we revel in the latest batch of early-2000s travel special goodness! If you miss the theme park specials of 2001/2002, you will have an EPIC amount of fun over the next week, at a time when cable TV is really boring and unfulfilling! It's a win/win for you!

Every night we will reveal the next night's two video releases, so check back every day here to Parkscope.net!

Saturday 8/31 Premieres:

8 pm EST



"A man-made mountain that erupts on cue. Strange and exotic lands. Ancient civilizations brought back to life. You're looking at the most ambitious theme park in the world: DisneySea, Tokyo. The best-kept secret in the Far East. Until now. In a world exclusive, Travel Channel's cameras are the first to be given full access to Disney's first water-based theme park. It's a front-row ticket to a multi-billion dollar adventure. It's a journey across continents and across time. We'll travel across seas, and beneath them too. It all takes place in one mega-theme park. And on this journey, nothing is as it seems!"


9 pm EST


"Technical Wizards. Creative Masterminds. The Walt Disney Company's ultimate secret weapon. They are the artistic geniuses behind every Disney theme park experience, ride, and attraction. They're called Imagineers, and they might just have one of the best jobs in the world. We'll go inside their wonderful world of insidious elevators (Tower of Terror), realistic robotic figures (Hall of Presidents), and spectacular splashes (Splash Mountain). And, find out how they design and create the amazing rides and mind-boggling attractions that delight, thrill, and terrify the entire world. We've gone straight to the secret vault of Disney's Imagineers and uncovered footage that has never been seen before. Watch now, because we're revealing the unknown secrets behind Disney's biggest and best attractions: going inside the top-secret world of the master magicians who bring them to life. They're Disney's Imagineers!"


Find Jeff on Twitter: @ParkScopeJeff


Tuesday, July 18, 2017

Disneyland Construction Presented by Tony Baxter: Parkscope YouTube Tuesday #5


It boggles the mind today how fast Disneyland was created. From its initial announcement on The Disneyland Story, it took a mere eleven months for Walt to turn pictures into a full theme park. Today, we’re so used to projects taking years and years and years and years (hey everyone, Guardians of the Galaxy will be coming “at some point!” Isn’t that exciting), the fact that Disneyland went from “it’s coming!” to “open” in less than a year is not even fathomable. The DCA expansion took six years. Avatar took six years. Even tiny little DCA itself took four. The Fantasyland expansion (which is two rides and some buildings) took four. But the entirety of Disneyland? Less than one year.

There are much better authors than I who have regaled tales of Disneyland’s construction to the masses, so I won’t do to repeat them hear. I would recommend you read them, though. Walt’s irascibility is in full form, as he is 100% involved in the process and obsessed over every detail. He sketched the final layout of Tom Sawyer Island, consistently pushed landscape guru Bill Evans to relocate taller and taller trees, insisted that the wagons for the pack mule ride be upholstered with the finest leather, and refused to build an administration building. You can pick up any copy of a Disneyland history book or Walt Disney biography to read all about them (my personal favorites being Walt Disney: An American Original by Bob Thomas and How to Be Like Walt by Pat Williams).

Today’s YouTube Tuesday video is a time-lapse (and in color!) film compilation of the construction of Disneyland from various cameras stationed in each of Disneyland’s major lands. It is featured as an Easter Egg in the Disneyland: Secrets, Stories and Magic DVD collection (as part of Wave Seven of the Walt Disney Treasures tin set). The footage is narrated by Tony Baxter (representing WDI), Ed Hobbleman and Walter Magnuson (representing the Disney Studio Inventory Group).

This was quite a find by Disney, as Tony explains in the narration. The footage, believe it or not, was found in a can inside a Pennsylvania salt mine. Yeah. It was a film canister with the word “Disneyland” scribbled on the front, and someone found it and returned it to Disney. While I usually don’t believe in UFOs or ghosts or time travelers, this is some serious X-Files material. How does something like that even happen? Did they also find Elvis and Jimmy Hoffa down there?

The material is presented in three parts: first, an opening section where we get to see Walt walking the property. Second is the time-lapse footage, one segment for each land. And finally, there is some video of Walt, Harper Goff and company overseeing the construction of the Jungle Cruise. Walt was famous for preserving his and his team’s thought processes (he hired stenographers to take detailed notes in every story meeting during the creation of the animated movies, and saved as many original sketches in the archives as he could), and here he realized that the construction of Disneyland would one day be something to study and reference back to. So, he set up numerous cameras and observation towers around the property to film the construction footage in time-lapse as it was happening. What we see here is an American historical landmark in all stages of construction. It’s like going back in time and seeing the building of the cathedral of Notre Dame or the Eiffel Tower.

The video does a good job of speaking for itself, however I’ve included a few ancillary thoughts of the footage:

00:05 Amazing (when you watch it in slo-mo) that the roads around Disneyland still exist in the familiar east-west box pattern. Though we can’t tell which streets are featured here, the North/South Walnut, Harbor, and West and the East/West Katella and Ball are surely included in this whirlwind footage.

00:25 It’s so incredible and fortunate today that we have most of this video in color footage. We can see what Walt wore to work in glorious color! Gotta love that red-checkered shirt and white hat. And his cigar isn’t edited out. The narrators discuss the infamous “Walt reel” found in the recovered footage.

01:20 Some rare footage of Roy in color as well.

02:00 Don’t know if this makeshift observation tower was mentioned in any historical books or records. But it just goes to show how efficient the Disneyland planners were. They built an observation deck not only for themselves, but for Walt so he could point out the layout of certain areas and whether he thought they were headed in the right direction. Remember, as Tony describes the actual construction of Disneyland was done in only 7 months! As this is with notorious perfectionist Walt Disney at the helm! Amazing. And it’s followed by incredible 360-degree view of the Disneyland site!

03:10 starts the time-lapse footage, starting with Main Street. A few notes here:

1.       Note how the Jungle Cruise foliage had already been planted by the time vertical construction on Main Street started, in order to get the best of a Spring “growth” season
2.       Because of the less strict building and construction regulations compared to today, vertical construction on Main Street was completed in only four months! Tony Baxter relates how it took a full five years to build Euro Disney.
3.       Tony mentions the split-second appearance of the infamous Town Square Gazebo, which Walt wanted to place in Town Square near the flagpole. However, once it was placed the team realized it blocked Guests’ view of the castle. So, the gazebo was moved to the Magnolia Park section of Frontierland, which is where New Orleans Square is now. As Tony reminds us, this again speaks to the practicality of Walt Disney’s creative design sense. If it didn’t work, it was out, no questions asked, no matter how much operational headache it causes.
4.       The Phantom Boats again prove to be the most unreliable mechanics imaginable. Even right before opening, the boats had still not made it to the lagoon!
5.       Tony explains that fiberglass was not used too much upon opening, though Disney became obsessed with it afterwards. This was because, in 1955, fiberglass was still a “miracle material” and thus expensive to acquire. So only a few elements of the park were featured in all their fiberglass glory.
6.       It’s just funny that Storybookland started out as a literal mud ditch with views of weeds and grass called Canal Boats of the World. The plants, you see, were from around the world. That’ll be a “B” Ticket, please.
7.       32:45 This is how guests are going to be greeted at my house one day.
8.       34:50 An absolutely amazing overlook view of the Jungle Cruise before the foliage fully grew in. As Tony mentions, this is probably the only time you’ll ever see such a clear overlook of the full ride layout.

The footage itself is, of course, incredible. The video presented here is a full 37 minutes of the literally hundreds of hours of material (Tony says he sat through 400 hours. And you thought a Hobbit/Lord of the Rings marathon was bad!). This is Disneyland construction footage in full color. Time-lapse for each land. With color footage of Walt, Roy, Davy Crockett and Joe Fowler walking around. It is truly a fine treasure for the Disney history hunter.

Friday, February 1, 2013

Thanks, Tony

Listen, I know I'm the guy out there that is often snarky and sarcastic. Probably to a fault most of the time. But that's not what I want to do today. In fact, I really don't have it in me. Not after the news of last night and today. I'm sure you know what I'm talking about. Tony Baxter, Senior Vice President of Creative at Walt Disney Imagineering and legend in the truest sense of the word, has retired from Imagineering. I know some of you will say he's still a consultant, but let's be honest with ourselves, that means he's retired.

I would be kidding myself if I told myself Tony would have been around for longer anyway. And largely, his talents have been wasted at WDI since the mid 90s. For the past decade it seemed like he couldn't get anywhere near a legitimate blockbuster attraction.

But Tony leaving is still probably the saddest thing that's happened in the Disney world for me as long as I've been alive, or aware, of what was going on. I'm not going to go into what this means for Disney or WDI. This isn't a day for that. Today's a day for celebrating this man's accomplishments.

When I think of Mr. Baxter and his projects, I think of my family. More than any other WED/WDI member, aside from maybe Marc Davis, Tony's projects have given my my family and I our most lasting memories. Whether it was laughing together on Big Thunder Mountain or screaming on Splash Mountain, his rides have always planted smiles on our faces.

Mostly, however, his rides make me think of my dad. Most of you probably don't know this, because I don't like talking about it, but my dad passed away a little over four years ago. The man was my best friend bar none, and losing him was incredibly, incredibly hard.

But after a while, you forget the hard part and remember the good times. And thanks to Mr. Baxter, I have some of the best "good time memories" of my old man than I could have ever hoped for. Big Thunder Mountain Railroad was my first "big kid" roller coaster, and I was seated firmly next to him, as I would be each trip after that, even until our last trip together a few months before he passed. I remember our first plunge down Chickapin Hill, and then a few years later having my sister seated safely between us as she took her first splash down. Eventually my sister and I got to big for all three of us to share a seat, but we all continued to ride multiple times every trip, and even managed to sneak my scaredy cat mom on for a few rides.

Most of all, though, I remember Journey Into Imagination. I was first introduced to Figment and Dreamfinder during my first trip when I was almost three years old. Little did my mom and grandmother know then that one ride would become an obsession. For the next 8 years I would want anything and everything Figment that I could get my hands on, and every trip meant going to see my buddy Figment...eight or ten times. My mom would usually peter out around ride three or four, but Dad would stick with me until I had filled my Imagination fixation. He would laugh, sing, and even help me hide during the "scary part" in my early years. The ride and those experiences made me want to become an Imagineer, a dream that wouldn't come true, but would lead me to work at the Magic Kingdom as a Jungle Cruise skipper for a few years. And for all those terrific rides and experiences, I will be eternally grateful.

Since Dad moved on, I've been lucky enough to see more of Baxter's work, including his redo of Disneyland's Fantasyland and his beautiful park sitting in Marne-la-Vallée. But even being in Disneyland Parc Paris, I was still brought back to those days when I was a kid in Magic Kingdom. Even whipping under the Rivers of the Far West in Paris's Big Thunder Mountain made me think of that first plunge into the dark and sitting next to Dad on my first Big Thunder ride all those years ago. That's just something money can't buy.

Now, Mr. Baxter, I'd like to speak directly to you. I know you'll probably never get to read this, and I doubt I'll ever meet you in person to tell you it, but I want to thank you for all you've done for Walt Disney's theme parks these past 47 years. Many people to this day ask me why I continue to go to Walt Disney World and Disneyland as the trips become more expensive or as I grow older, and I just smile because they can't understand. I continue to go back because of the memories I made with my family. Memories that you helped me make with your works. And I know thousands upon thousands of people feel the same way as I do.

So thanks, Tony. Thanks from my family, me, and all those theme park fans who feel the same. Enjoy your time off. You've earned it.